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unknow artist Parisian Book of Hours oil painting reproduction


unknow artist
Parisian Book of Hours
Gemälde IDENTIFIZIERUNG::  65123
 1405-10 Illumination on parchment British Museum, London This page, the opening page of the Hours of the Virgin, is from a Parisian Book of Hours. The artist has been identified as an Italian called Zebo da Firenze. In the opening years of the fifteenth century, the importance of Italian ideas in French manuscript painting is clear, with fresh experiments in landscape, with the introduction of architectural portraiture and occasionally with the transposition to the manuscript page of compositions derived from Italian wall-painting. A significant innovation was the introduction of Italianate acanthus leaves into the borders of traditional spiky ivy-leaf. One Italian manuscript painter can certainly be traced to France. He was called Zebo da Firenze and worked probably in Paris during the beginning of the fifteenth century. In the page from a Parisian Book of Hours he tended to engulf the text in a mass of decorative acanthus liberally interspersed with putti. His narrative scenes were not always confined to a restricted area but sometimes spilled over into the border after the Italian manner. , MINIATURIST, Italian , Parisian Book of Hours , 1401-1450 , Italian , illumination , religious

 
 
   
      
unknow artist

Parisian Book of Hours
1405-10 Illumination on parchment British Museum, London This page, the opening page of the Hours of the Virgin, is from a Parisian Book of Hours. The artist has been identified as an Italian called Zebo da Firenze. In the opening years of the fifteenth century, the importance of Italian ideas in French manuscript painting is clear, with fresh experiments in landscape, with the introduction of architectural portraiture and occasionally with the transposition to the manuscript page of compositions derived from Italian wall-painting. A significant innovation was the introduction of Italianate acanthus leaves into the borders of traditional spiky ivy-leaf. One Italian manuscript painter can certainly be traced to France. He was called Zebo da Firenze and worked probably in Paris during the beginning of the fifteenth century. In the page from a Parisian Book of Hours he tended to engulf the text in a mass of decorative acanthus liberally interspersed with putti. His narrative scenes were not always confined to a restricted area but sometimes spilled over into the border after the Italian manner. , MINIATURIST, Italian , Parisian Book of Hours , 1401-1450 , Italian , illumination , religious

Related Paintings to unknow artist :.
| Arm of the Seine near Giverny in the Fog | durham cathedral and bridge | Portrait of Antonietta Negroni Prati Morosini, Oval | Portrait of a Crossbowman | Sexy body, female nudes, classical nudes 42 |

        
 
   
 

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